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THAT’S HOW SHE GOT TO TEXAS:
COUNTRYPOLITAN SINGER AND NEW AUSTINITE WHITNEY ROSE EMBARKS ON NORTH AMERICAN TOUR WITH HILL COUNTRY IN HER HEARt
Whitney Rose announces an extensive North American Summer Tour that goes from Texas Hill Country’s legendary Luckenbach Dancehall to the east coast, including, fittingly, multiple appearances at Hill Country Live outposts (Manhattan, Brooklyn and later DC) along the way. The tour also retraces Rose’s own career path, crossing back into Canada with stops in fabled Prince Edward Island, Rose’s actual birthplace, and Toronto, her musical origin. The way home – Austin is now where Rose resides – takes her through Philadelphia, Nashville and Atlanta. Rose will wrap it up in Bertram, TX, to a recently revitalized Hill Country musical landmark, the Globe Theatre.
Rose will bring some of Austin’s most respected country and rockabilly players on the road – you can take the girl out of Texas, but the girl can take the best of Texas with her. Rose just relocated to Austin in January, and has already settled in quickly. In addition to swiftly assembling and finding a groove with a new band, Rose has established a fruitful weekly residency at The Continental Club with an ever-growing following. Trust the experts – Dwight Yoakam and Raul Malo, for example – Rose’s countrypolitan sound, sense of song and enthralling stage presence make her worthy of considerable praise she’s received thus far. "Whitney Rose writes the kind of country music that will one day firmly place her as one of the greats of the genre" says Malo.
Other recent developments have included securing a booking agent in Davis McLarty and fielding invitations to play iconic Texas dance halls and honky tonks. Above all, Rose has found respect from musical peers she had only dreamed of meeting. New songs have been bloomin’ like bluebonnets, and an exciting project featuring some of Austin’s finest country players is now underway.
“Anyone who knows me knows that I move around a lot- I just don't feel like myself when I'm stationary for too long. I decided to try my luck stateside. The only question was should I move to Nashville or Austin - I had this feeling that I could really LOVE Austin, so I took my chances, despite never even having visited before. Luckily, I was right. Fast forward a few months and I'm in the studio with Merle Haggard’s guitar player, Johnny Cash’s piano player and Willie Nelson’s bass player...I'm still processing that one. Not to mention my new band, who have helped me to build up a great Thursday residency at the Continental Club, which has become my Austin home base.”
From a small island to a big city, and from a big city to a new country, Rose has had a restless few years. Her first show was only in 2011. Her first record deal was 2012. A gig with The Mavericks put her in the studio with Raul Malo, and resulted in her first New York Times-reviewed album (and worldwide debut), Heartbreaker of the Year, in 2015.
Heartbreaker of the Year put Rose on the map, with three months on the Americana radio chart and astounding reviews and features in Rolling Stone, American Songwriter and others. Rose has toured extensively in the US, including several shows with The Mavericks and fellow country crooner Sam Outlaw.
In 2016, Rose agreed to terms on a new recording contract with indie label Six Shooter Records, giving her the ability to make quality music surrounded by a very solid support system for years to come. Six Shooter’s partnerships with Universal Music in Canada and Thirty Tigers worldwide position Rose to break major ground in the years to come.
American Songwriter said it best when they wrote, “The most exciting part is where she goes next.”
A sultry country classicist with a tremble in her voice, Whitney Rose is partial to the magisterial gestures of the 1950s and 1960s. And so for her stately second album, “Heartbreaker of the Year” (Cameron House), she enlisted the Mavericks, keepers of that era’s flame, for backup duty, and its frontman, the silky Raul Malo, as producer. Apart from two covers, Ms. Rose wrote all the songs here, and she is gifted with the eccentric detail: On “The Last Party,” a sweet Dusty Springfield-esque waltz, she implores friends to “go cover every jukebox, smash all the guitars,” and on the title track, she muses, “You must have taken a class in fading away.” Ms. Rose can be a slightly reserved singer, but it’s in those moments that the Mavericks come in handy, playing vintage country with high viscosity. And when Mr. Malo steps in to duet, like on “The Last Party” or the Ronettes cover “Be My Baby,” the two achieve a melancholy twinkle much like the one between George Jones and Tammy Wynette.
- THE NEW YORK TIMES
"Whitney Rose, who hails from the remote Canadian outpost of Prince Edward Island but sounds like someone who discovered classic country crooners like Patsy Cline and George Jones with enough years and miles in between to mold an original yet suitably vintage spin. Malo brought glints of his Tejano touch to her newest release, Heartbreaker of the Year, which playfully croons through tales of love and mischief with girlish breath and devilish twang.” —ROLLING STONE COUNTRY
“Rose and Malo have nailed this concoction of joining the purer sides of pop and country. The most exciting part is seeing where she goes next." —AMERICAN SONGWRITER
"Her writing is first rate, and she is really fucking good at her instrument.” —POPMATTERS
“Whtney Rose’s voice sounds like is comin on out of a time machine in RCA’s Studio B in Nashcille circa 1960. Her songwriting blends vintage R&B and retro country.” —MAGNET
"Stark and sultry, here Rose hits heartache right between the eyes. With a croon that wraps dances perfectly between plaintive guitar riffs, the Rose skillfully delivers classic country magic.” —GUITAR WORLD—ACOUSTIC NATION
"Whitney Rose is a Canadian country singer and songwriter in love with the countrypolitan era. For her, the Nashville of Peggy Lee, Patsy Cline Dolly Parton, and new traditionalists Keith Whitley and Patty Loveless still exists. Her acclaimed self-titled 2012 debut displayed that to some degree, butHeartbreaker of the Year proves it definitively. 4 stars” —ALL MUSIC
"The Toronto-based singer-songwriter’s sophomore release is a whole heap of fun, filled with songs that recall an earlier age when country and pop were blended to perfection. Rose injects a healthy dose of her own charm and personality into the mix.” —TWANGVILLE
"Rose calls her style 'vintage-pop-infused neo-traditional country,' and that’s pretty close to the mark. You won’t be surprised to learn that this sultry-voiced Canadian singer grew up listening to the likes of Hank Williams and Patsy Cline—or that this second album features backup by the Mavericks, who share her penchant for combining country with a strong pop sensibility.”—NO DEPRESSION
"Her self-titled debut hinted at retro proclivities, but Malo and guitarist Nichol Robertson really lay on the atmosphere, and Rose really luxuriates in tempos and backing vocal washes that amplify the romance of her material.” —HYPERBOLIUM / NO DEPRESSION
"What's up with Canada? How do so many artists from there tap so directly into the heart of American music, especially Nashville-bound sounds? Whitney Rose sings like she's got Tennessee in her blood. Instead, she got hooked on the music in her grandparents' bar on Prince Edward Island, and has chased it ever since.” —THE MORTON REPORT (TMR) / Bentley’s Bandstand
"For fans looking for country music that’s real and from the heart and, most importantly to them, actually resembles country music, Whitney Rose’s Heartbreaker of the Year is an album they cannot look past.” —ROUGHSTOCK
"Heartbreaker of the Year is a blend of high-class honky-tonk and lush ‘60s pop that explores the feelings of love, heartbreak and desire with sounds inspired by the past but which remain as fresh as a flower thanks to Rose’s vulnerable but confident vocals.” —AXS EXAMINER
"Heartbreaker of the Year is as cool as country comes - an intoxicating round of tequila shots served with the salt of despair [and] the refreshing tartness of living life, and delivered by a server who can sass, flirt [and] cuss, and seduce anybody in the room" CALGARY HERALD
“fiery swing ... hazy, honky-tonk swirl" - NOW MAGAZINE
“whip-smart … an adventurous affair” - The Globe And Mail
“Heartbreaker of the Year justifies the buzz around its release” - Exclaim!
“effortless, natural evocation of past greats like Patsy Cline and Kitty Wells” - CBC Music
“Rose is one of Canada’s best roots artists. And probably one of our best heartbreakers, too” - Canada Postmedia Pop Forecast
“an irresistible collection” - Hello Magazine
Whitney Rose was just a kid when The Mavericks first hit the music scene, but these days the rising Canadian songstress is performing alongside the seasoned roots/country performers. Mentorship never sounded so good” - CBC Q
“Whitney Rose nails her sophomore release with the greatest of ease. … a wonderful, harmonious listen” - Moncton Free Press
“engaging lyrics …clever song structures. rollicking good fun and utter heartbreak” - Cashbox
“Honest, quirky and infused with country-roots” - Toronto Is Awesome
Here, Rose performs the title track, "Heartbreaker of the Year" live at The Hacienda.
CMT's Paul McGuire interviews Raul Malo and I in studio during the recording of Heartbreaker of the Year!
Photo from Revolution Studios - L to R: Guillermo Subauste, Paul Deakin, Jerry Dale McFadden, Whitney Rose, Raul Malo, Nichol Robertson, Jay Weaver.
NEW RECORD DETAILS
Whitney Rose has finished making a record with producer Raul Malo. Recorded in 4 days at Revolution Studios, mixed by Niko Bolas at Capitol Records, the record features the talents of:
Vocals, Guitar / Whitney Rose
Guitars, Vocals, Percussion / Raul Malo
Guitars, Mandolin / Nichol Robertson
Piano, Organ / Jerry Dale McFadden
Bass/ Jay Weaver
Drums / Paul Deakin
Steel Guitar, Dobro, Lap Steel / Burke Carroll
Strings / Drew Jurecka
PRODUCER: RAUL MALO
Mixed by: Niko Bolas at Capitol Studios
Mastered by: Rob Vosgien at Capitol Studios
Engineered by: Guillermo Subauste at Revolution Studios